Then if we use black for the fill, it turns the image black. The darker the grey we use, the darker the image becomes. If we now change the fill colour to a darker grey rather than white, it will darken the image. These are all grouped together in the top section of the Blending Mode dropdown. You will see the same behaviour with the other Blending Modes that darken an image. That’s because white is what we call the neutral colour for the Multiply Blending Mode. You should then see the Fill Layer vanish. After setting the fill colour to white, change the Fill Layer Blending Mode to Multiply in the Layers Studio Panel. In this example I have selected white for the fill to illustrate an important point about Blending Modes. You can control the colour used by clicking the colour swatch (number 3) to select the colour. The Gradient Tool is also activated in the Affinity Photo Tools Palette (number 2).Īfter adding a Fill Layer, the image is probably filed with a solid colour. You can do this in the Layer menu by selecting the “New Fill Layer” option.Īfter adding the Fill Layer, the new layer should appear in the Layers Studio Panel (number 1). We can see how some of the Blending Modes work in Affinity Photo if we add a new Fill Layer to our image.

They control how the contents of a layer blend with the layers below it to produce an effect. But if we combine it with the power of Blending Modes it’s a different story.īlending Modes are used in lots of applications, including Affinity Photo. This alone doesn’t have much value in terms of photo editing. We use the Gradient Tool in Affinity Photo to draw a gradient using two or more colours of our choice. Using Blending Modes with the Gradient Tool The colours in the image would benefit from some adjustment and I can address both problems using the Gradient Tool. Despite using a Graduated ND filter when I shot this, the sky is too light compared to the dark, wet rock of the foreground.

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